The Moving Sky: How Star Charts Map a Curved Sky

The moving sky above our head

Above our heads, the dark skies slowly change in appearance. We might think they are eternal and still because the cycle is not apparent to the eye, but in truth they move in an unending rhythm. What we see is not what our great-grandparents saw, and it is definitely not what the ancients saw. Like a top, Earth wobbles on its axis, completing an entire great cycle every 26,000 years. That wobble affects our view of the sky. The wobble is so slow we cannot feel it, but it is wide enough that the pole star changes. Polaris is our pole star now, but for the Egyptians who built the pyramids it was Thuban, and Vega will come after Polaris.

This is why there are two addresses for the stars. Fix your coordinates to the seasons and you get one set. Fix them to the stars themselves and you get another. The gap between them grows by a degree every 72 years. On this page we look at how the poles have wandered, why the zodiac no longer matches the constellations behind it, and how the planets wander against a background that is itself in motion.

The Wandering North Star

Watch the wanderings of the North Star through epochs of time.

The North Star

Why the stars aren’t where your ancestors saw them, the North Star won’t always be north. Earth wobbles, and skies turn.

Sidereal vs. Tropical

Two valid ways to fix a star’s position, one tied to the seasons and one to the stars, and the slowly widening gap between them.

Lahiri Ayanamsa

Modern Indian astronomy needed one exact number to separate the two zodiacs. This is how it was selected

Wandering Planets

The five wandering lights the ancients tracked by eye and how to find tonight’s planets in your own sky.

โœฆ  Astronomy Picture of the Day  โœฆ

Apollo 12: Self-Portrait

March 15, 2003
Credit: Charles Conrad, Apollo 12 , NASA
See this entry on NASA's APOD โ†’
Is it art? In November of 1969, Apollo 12 astronaut-photographer Charles โ€œPeteโ€ Conrad recorded this masterpiece while documenting colleague Alan Bean's lunar soil collection activities on the Oceanus Procellarum . The image is dramatic and stark . Bean is faceless. The harsh environment of the Moon's Ocean of Storms is echoed in his helmet's perfectly composed reflection of Conrad and the lunar horizon . Works of photojournalists originally intent on recording the human condition on planet Earth, such as Lewis W. Hine's images from New York City in the early 20th century, or Margaret Bourke-White's magazine photography are widely regarded as art. Similarly many documentary astronomy and space images can be appreciated for their artistic and esthetic appeal .